
Szilvia György – Curriculum Vitae
Solo Exhibitions
2019, In the Moment (and in the Cabinet), Bridget Kennedy Project Space, North Sydney, NSW
2017, Fold-Unfold, Thoughts in Paper and Other Materials, Bridget Kennedy Project Space, North Sydney, NSW
2012, Flying By Numbers, A-M Gallery, Newtown, NSW
2011, On Fluid Roads, Studio 20/17, Waterloo, NSW
2004, Central European University, Budapest, Hungary
2004, Csók Galéria, Budapest, Hungary
2003, Galéria 2000, Hódmezővásárhely, Hungary
Selected Group Exhibitions
2021, Vessel, MaySpace Online, https://www.mayspaceonline.com.au/
2021, Thin Ice³, Incinerator Art Space, Willoughby, NSW
2020, Finalist in Harbour Sculpture, Balmain, NSW
2020, Art Mutation Online, https://art-mutation.online/
2019, Artist – Mentor – Master, Teachers exhibition at Workshop Arts Centre, Willoughby, NSW
2018, Design Pier at Usagi Gallery, Hong Kong
2018, Winner of the Sculpture Prize, Hunters Hill Art Exhibition, NSW
2018 Imag (in) ing, collaborations between art and Science, Workshop Arts Centre, Willoughby, NSW
2017, Committed to Clay, Rex Livingston Gallery, Katoomba, NSW
2017, Ceramic Revisions II, May Space, Waterloo, NSW
2017-2019, The Knowledge, Kerrie Lowe Gallery, Newtown, NSW
2017, Its’s Been Ten Years, Studio 2017 Project Space, North Sydney, NSW
2016, Chain of Events, Studio 2017, Waterloo, NSW
2016, Eclectica, WWS Foundation, Mittagong, NSW
2016, Crossing Borders, National Art School, East Sydney, NSW
2015, The Ceramic Lamp, photographic presentation at the International Ceramic Competition, Carouge, Switzerland
2015, Art Venice Biennale 3 by The Biennial Project. Large screen digital presentation during the opening week of the Venice Biennale 56. Venice, Italy
2015, TURN TURN TURN: The studio ceramics tradition at the National Art School.National Art School Gallery, East Sydney, NSW
2015, BeLonging-embodied commentaries inspired by place, ANU School of Art, Canberra, ACT
2015, Luminous, China Clay, Clovelly, NSW
2015, 300 Gram, Mansfield Ceramics Gallery, Darlinghurst, NSW
2014, The Book of Days and Nights, public sculpture on the Library Plinth, Lane Cove, NSW
2014, Shifting Shadows, Shifting Sands, collaborative works with Maryanne Wick, Schoalhaven City Arts Centre, Nowra, NSW
2014, Beastly, Delmar Gallery, Ashfield, NSW
2014, Little Nuances, collaborative works with James McCallum,
Maunsell Wickes Gallery, Paddington, NSW
2014, Thin Ice², collaborative works with James McCallum, Incinerator Art Space, Willoughby, NSW
2013-2014, Finalist in Harbour Sculpture, Hunters Hill, NSW
2013, Thin Ice, Incinerator Art Space, Willoughby, NSW
2012, Members Exhibition, Gallery 4A, Sydney CBD
2012, Excavation, The Armory Exhibition, NSW
2011, International Triennial of Silicate Arts, Kecskemet, Hungary
2011, Resolutions, Breathing Colours Gallery, Balmain, NSW
2010, ICMEA Emerging Artists Exhibition. Fuping, CHINA
2010, Wrapped, Studio 20/17, Waterloo, NSW
2010, Inside Out- Outside In, EsProjects Gallery, Marrickville, NSW
2010, White, State Library of Queensland, Brisbane
2010, New Decade, New Work, ESP Gallery, Sydney, NSW
2009, Explorations, Gaffa Gallery, Sydney, NSW
2009-12, Shelf life, Delmar Gallery, Ashfield, NSW
2009, Explorations’ 09, Guildford Lane Gallery, Melbourne
2009, Little Bit of Red, Breathing Colours, Balmain, NSW
2009, The Armory Exhibition ’09, NSW
2009, Ceramics of Europe, Westerwald Keramik Museum, Germany
2009, Craft and Design, Museum of Applied Arts, Budapest, Hungary
2005-08, Art in the Park, Marrickville, NSW
2006-07, Propeller, Wooloomooloo, NSW
2005, On the Table and Over the Top, Planet, Surry Hills, NSW
2005, Ceramic Art Award, Gold Coast City Gallery, QLD
2004, Sculpture by the Sea, Bondi, NSW
2004, ASX-Reuters/FONAS Exhibition, East-Sydney, NSW
2004, Sculpture in the Vines, Hunter Valley, NSW
2001, View from the Cell, National Art School, East-Sydney, NSW
Public collections
International Ceramic Studio collection, Kecskemet, Hungary
FuLe International Ceramic Art Museums, Fuping,China
Studies
2001, Bachelor Degree of Fine Art at the National Art School, Sydney
1995-98, Australian National University, Institute of the Arts, Canberra
Publications
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